Tag Archives: duke of edinburgh award

Anna Butchert's Banjo

Anna Butchert’s Banjo

Anna was one of my pupils at Royal High.  She built this banjo from November 2011 to May 2012, working for around an hour and a half after school each week.  She did it is part of the Duke of Edinburgh’s Award.  Anna was in year S3.

I marked out and rough cut the neck and instrument stand at the band saw, but Anna did almost all the rest.

The rim (pot) was turned on the wood lathe from sixteen hardwood segments. The neck was formed from a tropical hardwood.

Calf skin was soaked in coffee, to accentuate its natural colour variations, then stretched over a brass tone ring and fixed to the rim with furniture tacks. The brass tone ring was formed in school from 6mm round bar, bent using a ring roller. Its ends were soldered together at the brazing hearth.

Guitar fret wire has been used instead of banjo wire, as it’s easier to press in place than banjo fret wire. The neck was fixed to the rim using cast aluminium brackets (cast in-house) and hardwood wedges. Steel strings were fitted.

The instrument stand is made from 4mm birch plywood.  Its components are a friction fit, and easily dismantle for transportation in an instrument bag. Bicycle rubber inner tube has been glued to the plywood, to prevent the banjo being marked by the stand.

High Resolution photos of the finished banjo, along with construction images, are available at Royal HIgh CDT’s Flickr account:

https://www.flickr.com/photos/cdtlog/sets/72157649322473751/

https://www.flickr.com/photos/cdtlog/sets/72157628491381775/

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Struan Robertson's Banjo

Struan Robertson’s Banjo

Struan was one of my pupils at Royal High.  He built this banjo from November 2011 to May 2012, working for around an hour and a half after school each week.  He did it is part of the Duke of Edinburgh’s Award.  Struan was in year S3.

I marked out and rough cut the neck and instrument stand at the band saw, but Struan did almost all the rest.

The rim (pot) was turned on the wood lathe from sixteen hardwood segments. The neck was formed from a tropical hardwood.

Calf skin was soaked in coffee, to accentuate its natural colour variations, then stretched over a brass tone ring and fixed to the rim with furniture tacks. The brass tone ring was formed in school from 6mm round bar, bent using a ring roller. Its ends were soldered together at the brazing hearth.

Guitar fret wire has been used instead of banjo wire, as it’s easier to press in place than banjo fret wire. The neck was fixed to the rim using cast aluminium brackets (cast in-house) and hardwood wedges. Steel strings were fitted.

The instrument stand is made from 4mm birch plywood.  Its components are a friction fit, and easily dismantle for transportation in an instrument bag. Bicycle rubber inner tube has been glued to the plywood, to prevent the banjo being marked by the stand.

High Resolution photos of the finished banjo, along with construction images, are available at Royal HIgh CDT’s Flickr account:

https://www.flickr.com/photos/cdtlog/sets/72157648915565617/

https://www.flickr.com/photos/cdtlog/sets/72157628491381775/

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Patrick Collings's Banjo

Patrick Collings’s Banjo

Patrick was one of my pupils at Royal High.  He built this banjo from November 2011 to May 2012, working for around an hour and a half after school each week.  He did it as part of the Duke of Edinburgh’s Award.  Patrick was in year S3.

I marked out and rough cut the neck and instrument stand at the band saw, but Patrick did almost all the rest.

The rim (pot) was turned on the wood lathe from sixteen segments of a tropical hardwood. The neck was formed from a tropical hardwood.  The finger board and peg head veneer are oak.

Calf skin was soaked in coffee, to accentuate its natural colour variations, then stretched over a brass tone ring and fixed to the rim with furniture tacks. The brass tone ring was formed in school from 6mm round bar, bent using a ring roller. Its ends were soldered together at the brazing hearth.

Guitar fret wire has been used instead of banjo wire, as it’s easier to press in place than banjo fret wire. The neck was fixed to the rim using cast aluminium brackets (cast in-house) and hardwood wedges. Steel strings were fitted.

The instrument stand is made from 4mm birch plywood.  Its components are a friction fit, and easily dismantle for transportation in an instrument bag. Bicycle rubber inner tube has been glued to the plywood, to prevent the banjo being marked by the stand.

High Resolution photos of the finished banjo, along with construction images, are available at Royal HIgh CDT’s Flickr account:

https://www.flickr.com/photos/cdtlog/sets/72157630842549136

https://www.flickr.com/photos/cdtlog/sets/72157628491381775/

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